首先，我不喜欢这部片子，原因在短评中。影评只能说是借题发挥
我感觉，音乐家们表现出的公共形象之不同，实质是人们期待和想象天才的方式的不同，背后是社会创造和拣选天才的机制变化。举巴赫和莫扎特做对比，前者的私人生活和创作相当割裂，甚至有论者称无法想象如此超凡的作品出自一个暴躁的十四个孩子的父亲之手，仿佛创作康塔塔和弥撒的他，与周旋于学校事务、向市议会讨要预算、应付一家老小的他，是纯然割裂的两副面孔，并且我们无法令人信服地从后者推导出前者的形象。在巴赫这里
He showed his talence with his own way.
Everyone knowed that he was a genius,
but no one cherished him, oppositly,they
arejealous to him and torch him. The rate you
came accross a genius was very slim in fact.
If you don't, please respect. I like Mozart,
He was a man full with passsion and frankness,
he was always under the belief that he could success,
he believed in his music. Although, people around him
were not so friendship, he never hated them, everything
he wanted to do was composing better music.
In my eyes, i thought he was a child,
who held his music dream.
His death was so regretting, he could composed more
and more wonderful works because he was 35 after all.
【莫扎特传】《Amadeus[莫扎特]》天才与疯子的一线之隔
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