如果说black swan是用强烈的画面冲击来营造邪恶残酷的蜕变的话,never let me go的叙事方法则显得平和的多,如此悲惨的克隆人捐献器官的题材都被刻画得那么理所当然,看不到未来,等待他们的只有死亡。浓浓的英伦调调优美的风景冲淡了对其悲剧人生的唏嘘,他们面对既定人生的淡然和忍耐令人无言以对。
It's been two weeks since I lost him. I have been gaven my notice now. My first donation is in a month of time. I come here and imagine, this is the spot where everything I lost since my childhood has washed up. I tell myself, if that was true and I've wait long enough, then the tiny figure would appear on the horizon accross the field, and gradually get large until I see it was Tommy.
He'd wave, and maybe call. I don't let fantasy go be on that. I can't let it. I remind myself, I was lucky to could have anytime with him at all. What I'm not sure about is if our life is been so different form the life of people we save. We all will complete, maybe none of us really understant what we've lived through, or feel we've had enought time.
这是一部奇怪的电影。
克隆人,是科幻小说的主角,未来时代的题材。但在这里,都是一地淡淡的背景。整部电影犹如传统的优质艺术片,舒缓平静的讲述起它的故事。我们看到的是英格兰乡下绿树原野的风光,看到的是男女主角精湛到平易近人的演技,但却怎么也不能和克隆人这么新潮突兀的概念结合在一起。
电影一开始,让人联想放牛班的春天,一个纪律森严的学校,一块女皇统治的国土,连早起喝奶都像机器人一样规律,虽然国土的边界其实就是那么个半高的栅栏,却阻挡了最有冲劲的汤米,也不敢跨前一步。
一个偶现异端魅力的女学监昙花一现,揭示出这群人的宿命,为他人而活,再为他人而死。所谓的异端,其实仅仅是对生命的怜悯,泪水混合着窗外的雨水,化作无能为力的隐退。
18岁,终于可以离开Hailsham,换一个地方,过一段相对自由的生活,这种自由萌生出性爱,也萌生出追寻本体的渴望,可那只是相对,宿命不可违。
她终于明白了,所有传言都不会是真的,她其实很早就领会过。当汤米从车上下来,忍不住咆哮着宣泄,我陡然闪念八月照相馆,面对死亡
三个月前我来到美国读书,随行带的唯一一本英文书就是Never Let Me Go。开学以后课业很忙,花了一个多月时间见缝插针完成了这本书,鉴于多年前看过的电影版并没有给我留下很深印象,决定必定要再看一遍电影。第二遍观感依旧没有很震撼,只是感觉到淡淡的伤感在心底流淌,一如小说给我的感觉。作者石黑一雄虽然很小就移民英国,但传统的东方文化仍然存于灵魂之中,铺满书页之间。我一直觉得东方文化虽然不张扬,但有着不输西方文化的感染力。它内里蕴含着深厚的力量,润人与物于无形之中
“别让我走”爆款!电影里呈现的真相正在我们现实中重复上演!
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