只做摘录：
Oscar Costume Design #5 : Guadagnino in fact pays homage to a great deal of ‘50s movies. See the shot of Emma/Tilda Swinton from the back with a chignon typical of Hitchcock, who had requested that Kim Novak’s hairstyle in Vertigo made reference to the similarities between a tornado and sexual organs.Or the scene on the roof of the Duomo in Milan taken from Visconti’s Rocco and his brothers .
Pacing and setting reminds me of The Discreet Charm of the Bourgeoisie (Le charme discret de la bourgeoisie). Whereas abrupt twist of events build suspense; the mounting tension reached a climax at dinner of the family when truth got revealed. Subtlety of subdued hints along with the impeccable looks of Tilda Swinton add up to a charming picture rarely seen these days.
For we expect with love comes happiness; Luca said "happy is a word that makes people sad". A particularly strong statement was made towards the end when Tilda proclaimed her love to the chef, when there is nothing left for love had dissipated, her husband said "You don't even exist".
好喜欢！今年第一部五星！结尾看得热泪盈眶，很多人不喜欢前半部分，但我反而觉得前半部分就是要足够沉闷，结尾才能有摧枯拉朽震撼人心的力量。
影片就像一部可视化的交响曲，平稳拉开序幕，情感细腻，蒂尔达在秩序中穿梭、被消磨，扮演一个说话从不大声的优雅阔太太。街上的跟踪是意外和吸引，匆忙躲进书店，连书钱都忘记付，观众能从镜头语言中读出小鹿乱撞。
山顶小屋和野外的激情戏都好美，安东尼奥为她脱下鞋子，葬礼后丈夫再为她穿上。鸟儿往教堂外飞，她却马上要回到牢笼里。丈夫说，你不存在
是同性恋的事实。与此同时，家族的事业也在变迁，尽管爱德瓦多独力反对出售家族企业，却还是无法抵挡资本全球化大潮的冲击，并购势在必行。在探讨商务的晚宴上，一个意外打破了艾玛苦心枯守的表面平静，她的灵魂就要破茧而出……没有争吵，没有孤独，人被生活包裹着，一切都在继续，没有任何过分的渲染，柔和得像未起过波澜的河流，疯狂是一粒石子，投入进去，马上就会平静
“我是爱”这是一部灵感涌动的电影
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