看似随心的散步之旅,却布置了如此多精心设计的场景,移除了一切可能造成干扰的因素和不必要的移动,只留下对演出空间最完美的展现角度,以及最简洁和最直接画面,让观众能够更加投入地观察与感受主演细腻的诠释,并尽可能地让构图和运镜直接暗示出情绪的变化,可以说在技术上充分展现了阿巴斯独有的特点,并轻松碾压一些所谓包装小资情调的流水线作品。而在内容上,本片诠释了阿巴斯对于复制品价值的思考,并将这一思考装进了两性关系这个具有全球性的主题中
“ 我认为,她唯一的要求是,你走到她身旁,手要搭在她的肩膀上。要知道,你们之间所有的问题,能因为一个姿势,全部变成浮云。”
Man and woman need to be together to achieve the greatest happiness.
But they always get pissed up by the difference in need from themselves per se, the conflict comes up again and again, seems to last forever.
One accuse the other as numb and careless.
The other take the one as needy and ridiculous.
Only the willing of being together make people forgive everything. Because you'll always find the soft and lovely part in love along with the feeling of hate and hurt.
Do not ask why and how.
The fact is "responsibility never works for this situation."
Or " Responsibility is the only way out"
刚一进入电影画面,就痴迷的爱上。影片讲述一位开古董店的优雅女士与来意大利开新书发布会的英国作家,因书结缘,在意大利托斯卡尼小镇相识。趁着天气好,开车闲逛去了个好玩的地方,边走边聊,闲游、参观。他们相见甚欢,聊复制的艺术品、聊生活和婚姻,自然而然的扮演起相守15年的夫妻角色,女主角似乎代表婚姻里的女性缩影数落着对丈夫的不满,作家代表着多数男性的角度对妻子的各种不满做出解释,并讲出自己对婚姻更理性真实的看法和认知。他们絮叨、埋怨、争吵和抚慰,有着说不完的话。
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